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It is, however, very fast, and anyone contemplating the XP80 will know after playing it for five minutes whether or not it will suit their style. The keyboard has a very light, shallow action: too shallow in my opinion, and I'm no concert pianist.
#Xp 80 roland tone kontakt 5 libraries Pc
Unusually, there is also a separate output for the sequencer's click, with a separate level control pot - but no sign of the XP10's 'to host' connector, for a direct link to PC or Mac. Alongside the three MIDI ports are five sockets for pedals one is dedicated to sustain/hold, but the rest are assignable from a wide range of options and MIDI controllers. One has effects, the other is a direct out for external processing. Four screen text types are available, but again, on the review model I could see no difference between them.Ĭontinuing our guided tour, the back panel sports two sets of stereo outputs. The review model had a quirk, in that its contrast settings rendered the screen invisible at settings below 4, and from 5 up to 10 there was no discernable difference. I don't think this quite rivals the display of, for example, the Korg Trinity, but it presents a large amount of information clearly, supplying graphical views of effects settings, key ranges, filters and so forth.
#Xp 80 roland tone kontakt 5 libraries Patch
Roland have opted for a traditional black, slimline appearance with plenty of hard plastic buttons, a continuous alpha dial, a 3.5‑inch DD/HD floppy drive (for song and patch data) and a 320 x 80 green‑ish LCD. A staggering amount, but don't assume it makes your programming skills redundant - there's still plenty to keep you busy! Physical Layout With the maximum of four installed, this gives instant access to almost 1700 patches. Shrewdly, Roland have provided room for expansion, in the form of their JV series of plug‑in boards. The XP80 is endowed with 64‑note polyphony, quality effects, a 60,000‑note sequencer and various performance controls.
#Xp 80 roland tone kontakt 5 libraries manual
A few minutes with the Roland XP80, however, and I've changed my tune: not only is it possible to produce complete songs, I've actually done it!ĭescribed as a Music Workstation - with hardly a mention of the word 'synthesizer' in the manual - the XP80 has evolved from the rich gene pool of Rolands JV/JD (and even D‑series) synths, married with the popular MC range of hardware MIDI recorders. I mean, did anyone ever get a complete song out of a Roland D110? It seemed so easy in the shop, but once back home, all it took was a bass line, a melody and a few chords to make all those precious notes disappear. I used to think all the built‑in instrument demos were somehow faked.
Paul Nagle puts it through a complete work‑out. The latest and largest addition to Roland's XP family is a strapping workstation with a monster sequencer and masses of programming muscle.
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